Over the years, Mike has worked with a number of ways to build scenery and scenic elements, including land-forms and detailing. There are many ways to achieve the same ends, and he will describe his experiences with them. Some are even unusual. Although these ideas will work with almost any situation, most of the finished work is set in autumn in New England. This time and place may not often modeled, but among the most visually compelling. Using prototype photos and scenery design aspects will also be discussed, with an emphasis in trying to reconcile spaces which always seem to be too small.
